90 Royalty-Free Audio Tracks for "Public Place"

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02:14
1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert
Author: Untitled
00:00
02:55
1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert
Author: Untitled
00:00
02:50
Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947
Author: Untitled
00:00
02:40
Title/Work: Mass No. 2 in E minor, WAB 27 Content: 6th Movement: Agnus Dei (Part 2) Genre(s): Masses Author(s)/Composer(s): Anton Bruckner (1824-1896) Music arranger(s): none Lyricist(s): none Performer(s): Philharmoniker Hamburg Conductor: Max Thurn (1897-1969) Place of recording: Hamburg State Opera, Hamburg (German Reich) 1st release date: 1938 1st recording date: 10 June 1938
Author: Untitled
00:00
02:34
Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945
Author: Untitled
00:00
03:55
Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928
Author: Untitled
00:00
02:33
1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP
Author: Untitled
00:00
03:13
Title/Work: The hymns my Mother used to sing Content: Song of 1911, Baritone vocal solo and orchestra Genre(s): Christian hymns (sacred music) Author(s)/Composer(s): Frank Langford (unknown birth/death date) Music arranger(s): none Lyricist(s): Frank Gee-Fort (unknown birth/death date) Performer(s): Robert Carr, baritone (1881-1948) Conductor: none Place of recording: London (United Kingdom) 1st release date: 2 October 1911 1st recording date: 21 September 1911
Author: Untitled
00:00
02:53
Label: Disque "Gramophone" Cat. no.: DB 1001 Order number: 2-053278 Matrix/StamperID: CVE-31274-5 (A31274, 2-053278-P) 1st release date: 1927 1st recording date: 29 October 1926 Place of recording: - Author(s)/Composer(s): Julius Benedict (1804-1885) Lyricist(s): none Music arranger(s): Jean-Baptiste Arban (1825-1889) Conductor: Josef Pasternack (1881-1940) Performer(s): Toti Dal Monte (born as Antonietta Meneghel (1893-1975)) Vocal range: Soprano vocal solo, with orchestra Title/Work: Carnival of Venice Content: Part 1 Genre(s): Variations for trumpet Comments: RCM and SPU
Author: Untitled
00:00
02:37
Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP
Author: Untitled
00:00
01:60
Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928
Author: Untitled
00:00
02:23
1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 2nd Movement (Conclusion): Adagio non troppo Genre(s): Cello concerto Comments: RCM and ELP
Author: Untitled
00:00
03:11
Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928
Author: Untitled
00:00
03:07
1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto
Author: Untitled
00:00
02:53
Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -
Author: Untitled
00:00
03:15
1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music
Author: Untitled
00:00
03:10
1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto
Author: Untitled
00:00
02:60
Label: Decca Records Cat. no.: K 1128 Order number: AR 8995 Matrix/StamperID: AR 8995-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 3rd Movement: Allegro (Conclusion) / 4th Movement: Allegro Genre(s): Symphony Comments: -
Author: Untitled
00:00
02:60
Label: His Master's Voice Cat. no.: C 3443 Order number: 2ER 850 Matrix/StamperID: 2ER 850I 1st release date: 1945 1st recording date: 8 April 1945 Place of recording: unknown Author(s)/Composer(s): Edward Elgar (1857-1934) Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Conductor: Malcolm Sargent (1895-1967) Performer(s): Liverpool Philharmonic Orchestra Vocal range: instrumental Title/Work: The Dream of Gerontius, Op. 38 Content: But hark! a grand mysterious harmony (Part 2, Section 5) Genre(s): Oratorio Comments: RCM and ELP
Author: Untitled
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00:31
Plane- it’s difficult to get good recordings of planes taking off these days. There’s always major streets or highways close by which results in a bunch of unwanted traffic noise. It’s difficult to find a good vantage point to set up because there’s hardly any public parking with unobstructed sight lines (or in my case hearing lines) to the planes. Plus, with all the extra security measures in place these days, how suspicious would i look setting up a laptop andsome cables and some other electronic equipment in the general area of the runway?but i managed to get this recording. It’s not spectacular, but it’s ok. There’s some worker truck at the end of it which gets in the way, but doesn’t ruin it. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prosan diego airport.
Author: Bruce Burbank
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03:26
NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology
Author: Untitled
00:00
03:06
Label: His Master's Voice Cat. no.: DB 3225 Order number: 2EA 5256 Matrix/StamperID: 2EA5256 -II- 1st release date: 1937 1st recording date: 28 May 1937 Place of recording: unknown Author(s)/Composer(s): Giacomo Puccini (1858-1924) Lyricist(s): Luigi Illica (1824-1893) and Giuseppe Giacosa (1847-1906) based on Scènes de la vie de bohème by Henri Murger (1822-1861) Conductor: Walter Goehr (1903-1960) Performer(s): Beniamino Gigli (Tenor) (1890-1957) and Maria Caniglia (Soprano) (1905-1979) with orchestra accompaniment Vocal range: Tenor and soprano with orchestra accompaniment Title/Work: La bohème (opera) Content: Act 1: O soave fanciulla Genre(s): Opera terminology (aria) Comments: RCM and ELP
Author: Untitled
00:00
02:43
Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP
Author: Untitled
00:00
02:27
1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology
Author: Untitled
00:00
03:20
Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP
Author: Untitled
00:00
03:04
Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop
Author: Untitled
00:00
02:52
Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:
Author: Untitled
00:00
03:08
Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -
Author: Untitled
00:00
01:03
Short street recording in london, close to london bridge/shard.
Author: Hoptenon
00:00
03:52
1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Ludwig van Beethoven (1770-1827)
00:00
15:49
1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Untitled
00:00
04:40
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Ludwig van Beethoven (1770-1827)
00:00
02:49
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Ludwig van Beethoven (1770-1827)
00:00
04:23
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 3) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Ludwig van Beethoven (1770-1827)
00:00
04:46
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Untitled
00:00
04:16
Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Ludwig van Beethoven (1770-1827)
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00:40
Outside cafe seating area, some pedestrians passing by.
Author: Vital Sounds
00:00
00:28
Segments of speech concerning the present situation in the world. Captured daily speech updates concerning the health and well being of citizens of the country. All addresses to the general public by politicians are in the public domain and are not copyright protected. May we all see the day when peace, joy, prosperity and health are with us again!"do all the good you can,by all the means you can,in all the ways you can,in all the places you can,at all the times you can,to all the people you can,as long as ever you can. "john wesley.
Author: Audiomirage
00:00
00:03
88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).
Author: Tedagame
00:00
29:21
Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.
Author: Klankbeeld
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